Showing Records: 21 - 30 of 55
Incendiary Innocence, 1944-04-04
Jacob's Ladder, 1967-04-27
Letter from André Breton to Simon Watson Taylor, 1947-01-12
Letter asking for suggestions on various aspects of the International Exhibition of Surrealism. Attached is Simon Watson Taylor's "Twelve Altars," being his contribution to this section of the exhibition. (Bertram Rota Inventory 1974, Pg. 37)
“EXPOSITION INTERNATIONALE DU SURRÉALISME 1947 présentée par André Breton et Marcel Duchamp... Nous vous convions chaleureusement à participer à l'Exposition Internationale du Surréalisme qui aura lieu à Paris au printemps de 1947..."
Letter from Bill Copley to Simon Watson Taylor, 1968-05-01
Letter from Bill Copley (William Copley, the American artist and longstanding freind of Duchamp) to Simon Watson Taylor. (Bertram Rota Inventory 1974, Pg. 47)
"...Here is a copy of the second issue hot off the press..."
Letter from Paul Otchakovsky-Laurens to Simon Watson Taylor, 1974-03-12
Letter from Paul Otchakovsky-Laurens to Simon Watson Taylor.
"Dear Sir, Preparing a new French edition fo[sic] the Writings of Marcel Duchamp..."
Letter from Robert Melville to Simon Watson Taylor, 1946 Per Bertram Rota Inventory (1974)
Letter from Simon Watson Taylor to Harper and Row, 1969
Letter from Simon Watson Taylor to Harper and Row regarding "Dictionnaire abrégé du surréalism."
"This is a facsimile reprint by Corti of a famous collective work, put together in 1938 under the supervision of André Beton and featuring texts and illustrations by all the surrealist poets and painters of any importance, past as well as at that time present..."
Letter from The Museum of Modern Art to Simon Watson Taylor, 1969-03-19
Letter from Bernard Karpel, The Librarian of the Museum, The Museum of Modern Art, to Simon Watson Taylor.
"Dear Mr. Taylor: I am assisting Robert Motherwell in editing for English translation for the Pierrre Cabanne conversations with Duchamp..."
Liberation Then , 1970-01-29
Marcel Duchamp's "A Propos of Readymades", 1961
Typed carbon copy with revisions in Duchamp's handwriting. (Bertram Rota Inventory 1974)
"A PROPOS OF 'READYMADES' IN 1913 I HAD THE HAPPY IDEA TO FASTEN A BICYCLE WHEEL TO A KITCHEN STOOL AND WATCH IT TURN. A FEW MONTHS LATER I BOUGHT A CHAP REPRODUCTION OF A WINTER EVENING LANDSCAPE, WHICH I CALLED 'PHARMACY' AFTER ADDING TWO MALL DOTS, ONE RED AND ONE YELLOW, IN THE HORIZON..."